Coming back to what matters

About 16 months ago, I and Tim left an entire way of life behind.  About 13 months ago a friend of mine, Stephen, left his entire life behind because he died. Within the space of 4 months, three friends of mine died. On the day I was told that Stephen had died, 13th August 2018, I had just spent the morning reflecting & brainstorming, ‘what is my deepest wish?’

 

In writing down the thoughts,  the most repeated phrase was ‘I do not want to be afraid’.  It finally formed into the following: My deepest wish is to play – to allow myself to make different patterns in the sand of my life and then allow the tide to wash them away.

 

As I finished writing , the phone rang and a voice said ‘Are you sitting down? Stephen has died.’

 

PLAYING LIFE AND LETTING GO  

I will play in the sand of my life

because it is sand

And its

Running

Through my fingers

 

Let us play together,

Let us build strange structures

Dig ditches

and fill with them water.

Let us create

Extraordinary shapes in

the sand and delicate

Patterns with shells and

Stones.

 

Let us play together

Create together

Argue

Fight

Laugh

 

Then watch the sea

In leisurely fashion

Erase

Our precious

Designs

 

And let them go

And let them go.

 

Over the coming year I played.  It was very serious play.  I discovered what it was like to be the executor of Stephen’s will, to become a mindfulness teacher,  to live in a home that was not public property (ie belonging to the church), to live without a car, and many other things.  I also discovered Extinction Rebellion.

What I kept finding was that I’d appreciate something valuable and then get carried away into planning, angsting, plotting or being utterly overwhelmed and then lose touch with the original experience.  Meditation would eventually bring me back.  That is one of the beauties of mindfulness.

 

So, with Climate Change and Extinction Rebellion.  I feel a deep love for this good earth:  my dog’s hairy face, the hundred different shades of green in the garden,  the crunch and taste of cox’s apples, the view from a hill I’ve just climbed…  Then I get caught up, rushing, worrying about whether to get arrested or not, becoming in turn furious, despairing and weepy over the burning of the rainforests, the destruction of the coral reefs and more.   That is not to be avoided but I also need to keep coming back to what matters, to let ‘the soft animal’ of my body love what it loves (see below: Wild Geese, by Mary Oliver).

 

In April, Tim set up an Extinction Rebellion Meditators Group,  a group of meditators who want their action to come out of their meditation, and in keeping with the ethos of Extinction Rebellion, want to respond deeply to this climate crisis, not react by pursuing a narrow ‘solution’ or finding enemies to hate.

It’s quite a challenge!  The group helps anchor me and keep me coming back to what matters:  connecting with the earth, myself, others, – discovering what contribution we can make, not only in relation to the climate crisis but in relation to what sort of people we want to be, what sort of society we want to live in.

Last year, two weeks before my friend Stephen died, I visited him in the nursing home he was in.  He was only 63 years old but by now he was an invalid.  He was in a wheel chair but he’d survived so much, it didn’t occur to me that he’d be dying anytime soon.  I had to travel 100 miles to visit him and was going to ‘fit in’ a visit to someone else as well but just in time, I recognised that push to ‘efficiency’ and chose deliberately not to do that and therefore not be rushed.

In the event, we sat on the porch outside his nursing home for nearly 3 hours, mostly in silence, as the sun slowly went down.  He’d had a lifetime of mental health issues and was struggling with his ‘voices’, I was struggling with the desire to ‘get on’ and with the irritation of having to light his cigarettes every 15/20 minutes by walking over to my car where there was fixed lighter.  Yet still, for large chunks of time we sat peaceably together.  When the nursing assistant came out to collect him, I said with feeling, ‘Thank you Stephen,’ meaning, thank you for the space to sit in silence together, to watch the sky change colour, to be present, to be here.  And Stephen said ‘Thank you for sitting with me’.

That was the last time I saw or spoke to him before he died.

 

What is your deepest wish? Or wishes.

What is it that matters most deeply to you?

Make time to remember

 

Wild Geese – by Mary Oliver

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting-
over and over announcing your place
in the family of things.

https://www.flickr.com/photos/calliope/5300846002

 

 

 

‘You do not have to be good’ – a tribute to Mary Oliver, poet

‘You must not ever give anyone else the responsibility for your life’

 

Mary Oliver, U S poet, Pulitzer prize winner and inspiring human being, died on 17th January aged 83.  One of her most famous poems, “Wild Geese” begins:

‘You do not have to be good.

You do not have to walk on your knees

for a hundred miles through the desert repenting.’

 

You do not have to be good – Every time I read that sentence, my shoulders drop in relief.  For over 12 years now, my intention has been to become more ‘real,’ rather than ‘good’ and for the last 5 years the poems of Mary Oliver have kept me company.  Like many others, I’ve been brought up to be ‘good’ and not to attend to my needs or pay attention to what I want in life.  As a result, I would not ask directly for what I wanted and often didn’t even know what I wanted.  Instead my tendency was towards the ‘passive aggressive’ approach: ‘I won’t tell you what I need but I’ll make it clear how disappointed I am that you didn’t work it out through ESP and do it anyway.’

But I’m changing!

Mary Oliver’s poem, ‘The Journey’ is that call to listen to yourself.  It begins:

‘One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice —
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.

 

You knew what you had to do…’

 

For some of us the bad advice, the voices calling, are mostly external and for some its all inside our heads but those voices, that advice can be so strong, so undermining of our confidence in our own voice, our own experience.

Its painful recognising our patterns of response and changing them but it is also liberating and delicious when we realise we are not trapped!

Mary Oliver was a gay woman who found her life partner, Molly Malone Cooke in 1964,  ‘I took one look and fell, hook and tumble’.  They lived together for over 40 years before Molly died in 2005.  After she died, in ‘A Pretty Song’ Mary writes ‘From the complications of loving you, I think there is no end or return.’

Mary Oliver never explicitly wrote about this side of her life but I would recommend  a read from  https://lithub.com/on-the-overlooked-eroticism-of-mary-oliver/ written by Jeanna Kadlec.  Jeanna remarks how Mary Oliver’s poems gave her hope as a young gay woman:

‘For me, someone who grew up in the evangelical church, the experience of reading “Wild Geese” has often been about receiving permission to desire within my own body: I do not have to be good; I do not have to repent.

‘You only have to let the soft animal of your body love what it loves.’

Whatever our faith/non-faith position is we all have an idea of what ‘good’ is that matters to us. It might be being good ‘morally’ or good in relationships or ‘following God”, or changing the world for the better in one way or another.  But unless we begin by seeking authenticity, the ‘goodness’ lark will either whiplash back on us (what a hypocrite/lousy mother/shit friend I am, etc|)  or the whip will land on others (they ‘should’ be…) .  So instead when I remember, I practice being real, bringing awareness and acceptance of myself as I actually am, having compassion for this human being here at this moment. It’s a life’s work.

For Mary Oliver, her work was to love and be amazed by this world.  It was mostly the natural world but not always.  In the poem ‘Singapore,’  Mary Oliver finds herself in the airport toilet when she notices a woman cleaning ashtrays in the toilet bowl:

‘Disgust argued in my stomach

And I felt in my pocket, for my ticket.

A poem should always have birds in it….’

But she stays and then,

‘When the woman turned I could not answer her face.

Her beauty and embarrassment struggled together and

neither could win.

She smiled and I smiled.  What kind of nonsense is this?

Everyone needs a job.’

And later

 

‘I don’t doubt for a moment that she loves her life.

And I want her to rise up from the crust and the slop

And fly down the river.

This probably won’t happen.

But maybe it will.

If the world were only pain and logic, who would want it?

Of course, it isn’t.

 

Neither do I mean anything miraculous, but only

The light that can shine out of a life.  I mean

The way she unfolded and refolded the blue cloth,

The way her smile was only for my sake; I mean,

The way this poem is filled with trees and birds.’

 

I want to finish with one of Mary Oliver’s poems in its entirety.  It is called “When I am among the Trees”.  Trees don’t worry about being ‘good’,  they simply ‘are’ what they are, with their roots deep down in the soil connecting with this world and their branches and leaves reaching out to the light.  If you haven’t already done so, try standing against a tree for 20 minutes, feeling the bark supporting your back, looking up through rich layers of leaves or perhaps bare branches sharp against the sky, smelling the air, listening to sounds, breathing. Its a gift.

 

When I am among the trees,
especially the willows and the honey locust,
equally the beech, the oaks and the pines,
they give off such hints of gladness.
I would almost say that they save me, and daily.

I am so distant from the hope of myself,
in which I have goodness, and discernment,
and never hurry through the world
but walk slowly, and bow often.

Around me the trees stir in their leaves
and call out, “Stay awhile.”
The light flows from their branches.

And they call again, “It’s simple,” they say,
“and you too have come
into the world to do this, to go easy, to be filled
with light, and to shine.”

 

Thank you, Mary Oliver, for the light you have shone on my life.

 

 

Breaking Free and Shedding a Skin – Part 2

It’s worth it!

Sometimes in order to break free, to grow, we need to shed the skin of our lives. Snakes shed their skins as they grow.  Maybe they have something to teach us.

Back in October 2017, after 23 years, Tim and I decided that we’d stop being a vicar and vicar’s wife.  In April this year we left an entire way of life, a community and the vicarage where we’d lived for the last 10 years.  In March, after further reading on how snakes shed their skins, I wrote the poem below.

 

SHEDDING YOUR SKIN – PART 2

 

The skin has come off.

It lies there coiled on the floor.

 

The hardest bit was starting

At the head.

Rubbing at 30 years of habit.

Worrying it, dislodging

thick protective certainties.

Finding the sharp necessary stones

To pierce the old skin.

 

That first breaking!

That relief!

                      Beginning to breathe easily                     .

Smarting with the rawness.

Then, seeing more clearly

How trapped I’ve been.

Rage rising

Spitting out of me, spurring me on.

 

Tearing, scratching, I look around for help,

Some cannot see the problem,

Others irritate and poke.

But there are those who celebrate,

Thank you!

Affirming, soothing, loving,

They apply a gentle pressure for me

To pull against.

 

Then the slow, slow, moving

Wrinkle by wrinkle out of the casing.

Cell by cell

Whole sections peeling off gloriously

While others snap and tear.

The tail snatches at the last of the skin

Trying to find a purchase

But it’s too late. I’m out.

I am out.

 

I stretch and feel the rippling flex of flesh

No tightness at the eyes.

Or pressure on the chest.

The vast expanse of ‘new’

Is fresh and frightening.

 

The old skin lies useless,

dry, translucent,

Beautiful designs

Etched into the calcified cells.

 

I need to rest and hide awhile.

I leave the old skin behind.

 

I don’t look back.

 

 

 

Breaking Free and Shedding a Skin – Part 1

Do you ever get that feeling? You want to break free, move-on but you feel trapped, you don’t know how to make the break, what to do.  Four years ago, I was in that place.

In November 2014, I wrote:  I wake today and the voices come from all directions in disarray.  I should have, why didn’t I, he’s so much better,  I feel cramped,  I feel trapped,  I’m not trapped,  I’m fortunate, lucky.  I’m stressed but I can’t be stressed,  I’m tired but I have no right to be,  I’m a failure but I was given all the chances. 

In December 2014 I wrote this poem:

 

ON SHEDDING YOUR SKIN

I was down and low.

My life an untidy room with

No Door.

But inside I’m growing

Like Alice.

The room is getting too small.

Way too small.

It has become an old skin

That has to go.

I shake my head and start to scratch.

[https://wonderopolis.org/wonder/why-do-snakes-shed-their-skin]

 

I didn’t know how my life was going to change or how I would shed this skin but it dawned on me that I had shed skins before. That last one with all the intricate interplay of lines – the choppy, changing patterns of young motherhood,  a stressed partner with his hair cropped short, religious certainties, Duplo bricks, primary school, children’s boots.  The smell of my daughter’s breath in her first bed.

My skin.

And now this one. By the end of 2014, my last child had turned 18, my partner had a beard and long hair and was sorting his stress through mindfulness. I’d been creating drama, organising alternative evening services in church, working with kids, chasing teenagers, worrying late at night, chafing at the theology of church, angsting at my age and lack of income.

Youtube videos tell me that to help a snake get started, give it a nice long bath or some E45 to soften the skin.

My preparation had been to practice mindfulness for the previous 3 years.  I’d started it because I wanted to ‘fall awake’ to my life (Jon Kabat-Zinn).  The thing about ‘falling awake’ is that you wake up both to the good and the bad.  Fortunately the non-judgement and compassion of mindfulness softened me enough to allow me to look at what was going on.  But where to start?

With snakes the shedding has to begin with the head.  They push their heads against any hard-scratchy surface to get some leverage, some motion.

I chose some sessions with a psychotherapist.

Snakes can get vulnerable and aggressive during the process.

Yup.

 

I’d been brought up in an ex-pat patriarchal setting.  There were 2 cardinal rules for a woman:

  • Other people come first and
  • Never openly confront or upset people even if they’re screwing you over – its rude.

Becoming a Christian and a vicar’s wife re-enforced these. Jesus said ‘love others as you love yourself’ but the second part of the sentence always got guillotined.

As I became more aware of this, the irritation grew and the skin felt tighter.  And tighter.

For several years I’d been angry with the Church’s attitude to women but now I also woke up to the realisation that all talk about God was male.  And I’d bought into this for over 30 years.

The shed had begun and it began in my head.

I was waking up.

 

 

 

 

Moving House mindfully…. sometimes

3 Weeks ago we moved house. 3 weeks ago my husband stopped being a vicar. 3 weeks ago we walked into our own home, we walked off the edge of our old life… Here are some mindful and not mindful moments …..

GOING HOME
Always going home,
Always planting the seed
Always opening, allowing
The new growing shoot.
Never so sure what it will be
No one
Telling me
Who I am.
Not even me.

MOVING HOUSE – SELLING AND BUYING
I’m fine
Really
It’s just
The others.

The sellers will renege
They’ll use my clumsy words against me.
The buyers of our flat will drop out
Or drop the price.
The estate agent doesn’t like me.
The solicitor doesn’t care.
The neighbour will block me.
The other neighbour
the basement one,
Will throw a wobbly and ruin everything.

All this running through
My nightmare mind.

I sit still and notice
There is a common thread
And underneath I hear a child crying
And I know
That no-one else can comfort her
But me.

I’m fine
Mostly.
And this is life.

NEW HOUSE

In our new pond the tadpoles
Are seething.
My anxieties fix on visions of frog city
So I collect some in an empty yoghurt pot
And throw them on the raised border
But I cannot shake the shame of murder.
I go to buy goldfish to eat them instead
But apparently the goldfish are ‘not ready’
and anyway they don’t eat tadpoles.
Visions of garden frog hell encompass me.

And then I laugh

Is that as bad as my visions of hell can get?

Later I’m told not to worry
The tadpoles will eat one another
If nothing else.

Apparently I do not need
To interfere.
Simply allow life.

Well that’s a thought.

My beautiful virgin year – 2018

Here we are at the gate of the New Year. I wrote the poem below in response to the day ahead but at this moment it also resonates in me for the year.

MY BEAUTIFUL VIRGIN DAY

A vast expanse of sandy beach
Scoured clean by the night tide.

I do not want to step on it.
My beautiful virgin day.

As a child, there’d be no pause.
Rolling, stamping, jumping,
I’d imprint myself, careless, free and thoughtless
Across that swathe of sand.

But I have spoilt too many days
To run at this one.

I take off my shoes. The beauty
burns my feet. I pause.

And bow to all that is to come.

Nature and Nurture

The poem below lays itself out slowly and carefully and turns on the very last line.

Community Garden by Laure-Anne Bosselaar

I watch the man bend over his patch,
a fat gunny sack at his feet. He combs the earth

with his fingers, picks up pebbles around
tiny heads of sorrel. Clouds bruise in, clog the sky,

the first fat drops pock-mark the dust.
The man wipes his hands on his chest,

opens the sack, pulls out top halves
of broken bottles, and plants them, firmly,

over each head of sorrel — tilting the necks
toward the rain. His back is drenched, so am I,

his careful gestures clench my throat,
wrench a hunger out of me I don’t understand,

can’t turn away from. The last plant
sheltered, the man straightens his back,

swings the sack over his shoulder, looks
at the sky, then at me and — as if to end

a conversation — says: I know they’d survive
without the bottles, I know. He leaves the garden,

plods downhill, blurs away. I hear myself
say it to no one: I never had a father.

Burning Trees

We stand
In cool, blue winter air
Field space, acre clear.
But the trees!
The sun has set them on fire
Burnt bronze and amber,
Hot orange, radiant,
Shimmering they blaze
and yet remain entire.
Is this how Moses saw the bush,
When barefoot he bowed
before the One
Who would set him alight.

Poem by me Susie Stead 2015
Photos as background and header by Hugh Turner

Time and Light

DSCN0798

Sometimes on a crisp, clear day, I walk through the light
And do not consider it because I am walking
To somewhere.

Sometimes the light becomes opaque. It is all I see.
Instead of walking through, I pause and allow light’s beauty
To enter me.

Sometimes I walk through time like I walk through light.
I do not consider it because I am walking
To somewhere.

Sometimes time becomes opaque. It is all I see.
Instead of walking through, I am watching myself walking past,
Becoming old,
Dying.

Does time like light, have beauty?
Or is it merely one loss after another?

By Susie Stead
© 2013

holding tree